Showing posts with label cultural notes. Show all posts
Showing posts with label cultural notes. Show all posts

Saturday, April 14, 2007

Low-impact crusade

Over at Meanwhile Back at the Ranch Idyllopus is (gently) criticizing No Impact Man, whose blog which consists in a running journal of a low impact Manhattan lifestyle. As a Zen guy, I like paradoxes like the juxtaposition of "low-impact" and "Manhattan." Plus as a bonus (for me) no impact man currently has a somewhat bizarre discussion of Nansen's cat, an infamous koan. (Technical detail: NIM uses the Korean spelling of Nansen, I use the more common Japanese spelling. In present-day Pinyin it would be Nanquan.) NIM seems to think that the cat is the planet. It's unclear to me whether NIM considers that he is the Zen maniac who, as a test of the monks (metaphorically, one presumes) kills the cat, or that his critics are the killers, or both. That's very Zen.

I don't have any criticism of a low-impact lifestyle. I am pretty low impact myself, but it's a function of being Low-Income Man, plus maybe some remote Scottish stinginess inherited from my forebears, operating scarcely diminished at a remove of 300 years.

It seems to me very American of us to make saving the planet into a personal and moral quest, like NIM does. America, in our minds, should still be a City on a Hill, a new Jerusalem (never mind that the reality of America, from the beginnings till now, ought to disabuse us of such notions.) And if we are gonna be worthy of being among the elect, we must be strenuous in the pursuit of personal goodness. Who can object to that? I certainly don't. I like good people, and the low-impact crusaders are good people, by and large. As an old hippie, I have personal memories of earlier such children's crusades. I was a part of them. I still cherish the worldview we had. I am not cynical about the motives of the children. They may have been the finest children in the world.

The problem is that it won't save the planet.

The tragedy of the commons works on all scales, from an individual to an international level. Personally and locally, if I use less gasoline, it increases the supply, and lowers the price to Hummer owners, who drive more. Internationally, if the US as a nation decreases gasoline consumption, it increases gasoline availability for others, which leads to a decrease in the price of gasoline in, say, China, where in response they build more cars and highways, and drive more.

Likewise, Jevons's paradox is a related problem. William Stanley Jevons first noticed that the increased efficiency of Watt's steam engine over the earlier Newcomen engine led to more coal being burned, not less. It's intuitively obvious to us why this is so, but it was a puzzle to economists. Increased fuel efficiency of cars will not, of itself, lead to less gasoline being consumed, but will very possibly have the opposite result.

The only way to get circumvent these two tendencies is through governmental action (gas taxes, rationing, etc.) and, on a larger scale, international treaties. This requires a sense of emergency, like everyone had in world war II. We do not yet have such a sense of emergency. But, because the problem is genuine, we will presumably realize the emergency exists at some point, and be willing to act. The question is, of course, will it be too late. I wish I knew the answer.

(I was going to put in a coda that came out basically sounding like "in the meantime, to thine own self be true." But one of the reasons I have cut back on political blogging is the Polonius quality it had--to my mind at least. I laughed the other day when I read, in James Wolcott I think, a quote from someone else to the effect that what we really love about Hamlet is that Polonius gets stabbed. So, in the spirit of Nansen, I will now try to kill off Polonius for a few days again.)

Addendum: In the original version of this post, I had overlooked a certain grandiosity of NIM's blogname, and mistakenly referred to the blog's author as Low Impact Man. Sorry for the carelessness.

Arbitrary Zen photo
Zen photo for the blog

Monday, February 05, 2007

Salon on spanking

In an article in Salon this morning, Eilene Zimmerman goes off on a proposed California law against parents hitting children. The legislation is highly unpopular in California, and evidently has no chance of passage.

But even though it won't pass, it "raises the question of how far the government should go in telling parents how to raise their children" (not to mention providing material for an article, always useful for a writer.) Ms Zimmerman sees a slippery slope yawning before her, though, as it happens, many civilized countries have such laws. Sweden is one. But it seems Sweden is not a popular role model for Americans, law-wise.

The author's view is that we already have laws against "physical abuse," which should be sufficient. Physical abuse is legally defined as assault which leads to physical impairment. In other words, if you don't break any bones or leave any bruises you are home free, as a parent who hits children. And the author's implicit, but somewhat conflicted, view is that it should remain that way, although, being a capable writer, she does not place her own opinion on laws against hitting children in the same paragraph as her mention of physical impairment.

My own feeling is different from hers. It's true that I am not in favor of major, punitive criminalization of hitting children--we are already too punitive as a nation. That is part of the problem. But certainly making it a misdemeanor punishable by, say, a fine would be A-OK in my book. In Texas you can beat your child in public and get away with it, no problem, but if you forget to get your car inspected on time you will owe the government $135. (I have no problem with the latter, by the way.)

Underlying the article, it seems to me, is a fundamental notion, deeply rooted in the American psyche, of the legitimacy of inflicting physical pain on people--a notion that is really not questioned by the author, though when her American psyche encounters another world-view, it does recoil in amazed horror.

How are we going to teach our children to cross the street safely, if we don't whack them to alert them to the danger?

To digress a little bit, as part of our national character, we don't much question things like the fundamental police power of enforcing "compliance," at least by non-lethal means. In other words, if you question authority you can expect, and should expect, to get into, um, compliance, through somebody putting some pain and suffering on you, if need be. As far as most Americans are concerned, the taser is fine and dandy for that purpose, a big improvement over the bullet or the billy club. But this is territory that Ms Zimmerman does not explore.

One of the proponents of the California legislation mentioned in Zimmerman's article is a law professor with the unfortunate name of Thomas Nazario. (You can already see it coming, can't you.)

Zimmerman declaims in passing--without seeing any irony in her own contribution to the public discourse--against America's saturation with opinion on child-rearing, which produces, in her view, massive parental anxiety. I suppose if you are anxious about not being able to continue hitting your disobedient kid, there may be something to that. She yearns for a simpler time, when spanking was spanking, not child abuse.

Shortly into the second page of her article, she quotes someone calling the proposed California legislation fascist. The word "fascist" appears five words away from the name "Nazario," who, as I mentioned, is a proponent of the law. I told you that you could see it coming.

We see here the utility of projection in american politics--as for example Rush Limbaugh's calling women he disagrees with feminazis, while if we pause and search for irony, and scratch the surface of Mr. L himself we might find something close to the very essence of a real Nazi, un-adjectively-modified. Or perhaps we might merely find a huckster with no principles and a shrewd view of those of his audience. In any case the dogs are loose now; fascists are running in the street, which is where we are at the end of the article, though the author's internal conflict over her own position puts in a surprise appearance in her final paragraph.

"Should any of us be doing these sorts of thing? Of course not" she says, of hitting children. But she doesn't want to be arrested for it, if she does it.

And I don't want her to be arrested either. What do I want? I guess I want her to go back to her own memories of being spanked and hit as a child, and see if she is really as unimpaired as she thinks.

Tuesday, December 26, 2006

St. Stephen's Day waxwings

Today is St. Stephen's Day, or Boxing day in the British Commonwealth. St. Stephen is both a mythological and a composite figure in Christian lore, because there were several real persons known as St. Stephen, and the some of the deeds attributed to St. Stephen could not have been performed by anyone, most notably being martyred at two different times.

Officially, he was supposed to have been killed off by a mob after the Sanhedrin condemned him for blasphmy in about 34 AD. He was thus the first Christian martyr. Because of that, he seems to have gotten mixed up in the ancient legend of Herod and the Cock, which has Herod the Great being informed that a greater king than Herod himself has been born in Bethlehem, and, like all despots when receiving bad news, Herod responds badly.

In a medieval English carol I am fond of, Stephen appears as a waiter in Herod's hall carrying in a roasted boar's head, and when he sees the star over Bethlehem, dramatically quits his job and gives the King the bad news, as follows:

He cast adown the boar's head,
And went into the halle;
"I forsake thee, king Herod,
And thy werkes alle.
"I forsake thee, king Herod,
And thine werkes alle,
There is a child in Bethlem borne,
Is better than we alle."

Herod at first mocks Stephen thinking him mad, and then says that such a thing can no more be possible than for the chicken on his plate to come to life and crow, which, of course, it immediately did.

Herod take this very ill and has Stephen taken out and stoned to death.

Another Stephen, St. Stephen of Hungary, was a pagan nobleman who murdered a rival by gouging out his eyes and pouring molten lead into his ears. After this Stephen converted to Christianity, he required of Hungarians that they too become Christians, and, evidently being being impressed by the cautionary example of the rival, the Hungarian people did so.

"St. Stephen," whoever he was, is (or has been at various times) the patron saint of bricklayers, stonemasons, headaches, horses, and is now associated with gift-giving, at least in English speaking countries.

So, since St. Stephen is also associated with the wren for reasons that are very unclear, I went out birdwatching today, and saw some more cedar waxwings. This seems to be a good year for cedar waxwings in Austin. Some years I hardly see them at all.

It was a beautiful day in Austin, by the way. No wrens, however.

Couple of waxwing photos below:

Three waxwings in a hackberry tree
Cedar Waxwings on St. Stephen's Day--photo 4

Waxwing on a broken branch
Cedar Waxwings on St. Stephen's Day--photo 5

Monday, December 04, 2006

Occasional cultural notes: The Blanton

(I believe my last cultural note was a review of a vast hunting-supply and outdoorsperson supermarket a few miles south of Austin, hard by Interstate Hwy 35. You get what you pay for, at this blog.)

I have twice visited the new Blanton Art museum of the University of Texas at Austin, which has been built a little behind schedule after Swiss architects Jacques Herzog and Pierre de Meuron abandoned the project in a world-class dudgeon, as befits architects of their station, after the UT System Board of Regents nixed their original plan, which looked like an enormous plastic and glass tent (which by the way I kind of liked) saying it was not in keeping with University's Master Plan, which stipulates that all new campus buildings should conform to a "Spanish Renaissance" style. And clearly, it was neither Spanish nor renaissancy, not in any way. The new Blanton building, now finished, designed by some Boston architects whose names I forget, is nothing to write home about but does fit well with a lot of other UT buildings, and is indeed handsomer than most of them, in my opinion.

Downstairs is a big Luca Cambiaso exhibit. Cambiaso was a little-known Genoese Renaissance painter, and this is billed as the first major exhibit of his work anywhere in half a century, and the only one ever put up outside of Italy. I didn't much like his work. Since they won't let you take photos of the first floor exhibits, I can't show you why.

But I found plenty of things to like upstairs, among the permanent exhibits--and you can take pictures, though the light is so bad it is hard to do so. Except for the 20th century stuff, this is all out of copyright, so I think it is OK to put these photos on the web.

Here is a painting of David with the Head of Goliath by Claude Vignon, from about 1620. David here is curiously girlish, and this reminds me of some of the Salome-with-the-head-of-John-the-Baptist paintings I have seen, the ones I can remember being, I believe, Victorian--which leads me to wonder if this weird and obscure painting by Vignon may have somehow been an influence on the Aubrey Beardsley crowd. Probably not.




Next is Giovanni Battista Passeri's Musical Party in the Garden, which is a cheerful painting that is hard not to like, or at least I found it so.




Here is one of George Romney's many paintings of Lady Hamilton, and not one of the better ones, but it led me to read a little bit about her--she was quite an extraordinary woman.
She was was born Amy Lyon in 1765, and was the daughter of a blacksmith. Later she changed her name to Emma Hart. She was apparently brilliant as well as beautiful, and eventually became Lady Emma Hamilton. In many ways she was the prototype of the modern celebrity, famous for being, well, famous. And, of course, she was Admiral Nelson's mistress. She was an alcoholic, and, sadly, drank herself to death. (This little caption hardly does justice to her life, which was spectacular. Sorry.)




I especially liked the little section of 19th century frontier paintings. Here is a detail of a Henry Farny painting, Council of the Chiefs.


click any photo to enlarge

Wednesday, October 11, 2006

Small pauses on the road to senescence

Having lived in Austin these many years now, I thought it was time to visit the Umlauf Sculpture Garden, a long-standing local attraction which I had never stopped to see. Locals are often the last to visit a local attraction.

I thought it was a nice place, but I may have been positively, and unfairly, influenced as an art critic by the young woman to whom I paid my $3.50 admission. As a somewhat hesitant afterthought, she said "Too bad you're not over 60. You'd be eligible for the Senior Citizen rate." Which would be $2.50. The fact that she considered me a not-quite-60 ticket buyer, but mentioned the over-60 fee just to be safe, gave a pleasant lift to my day--or else was a shrewd public relations move on her part. I am personally convinced she was sincere on account of her reaction when I told her I was 65, which was to eye me suspiciously as if I were trying to bilk the Umlauf Sculpture Garden of a dollar. I was unexpectedly, and vainly, pleased.

Charles Umlauf was a local sculptor who taught for many years in the art department at the University of Texas. His main claim to fame is the incredible number of public art pieces he placed around the state of Texas, mostly very large and perhaps exaggeratedly realistic (except for the absence of sexual organs on the male nudes) statues of and well-muscled athletic-looking bronze men, and lovely bronze women with signature upturned faces. Supposedly one of his models was Farrah Faucett, when she was an art student. The statues I have seen are mostly very pretty to look at, though there is something a little disconcerting about a several-ton bronze woman with Playboy centerfold proportions.

There is (relatively) little of that here. Much of the statuary is smaller, and I'm guessing is unsold preliminary versions of larger pieces, left in his workshop at the time of his death. I know have seen larger versions of some of the smaller statues elsewhere. I'm guessing the Garden showcases some artwork that may have been less appealing to Municipal Art Commission tastes but which may have been what he really preferred to do. I dunno. But at any rate some of the pieces struck me as displaying more whimsy and charm than his stuff I have seen elsewhere. Plus, in one to two cases, an unexpected element of the sinister.

According to their web page, I could have brought my laptop and surfed the web while sitting by the fern-shrouded lovers shown here. I am not sure why this would draw visitors, buy, hey, maybe I am getting old.



I am guessing this is Jesus



This is the most interestingly creepy St. Francis I have ever seen.



Another strangely mixed religious message. This is presumably Jesus, with the dove descending, but the halo (or is it a bishob's mitre?) looks like horns unless you look closely, and the cherub-heralds remind me of a flock of bats. (Apparently Umlauf sold a much larger version of this to an Episcopal Church in San Antonio. I'm surprised.)


Click on any photo to enlarge

Wednesday, July 26, 2006

Random recent nature photos

As Texas became drier at the end of the last glaciation, we were left with some isolated wetland plants in unlikely places. We have a few surviving pockets of dwarf palm (Sabal minor) here in central Texas. These palmettos (from the Spanish palmito, little palm) are more typical of Florida and Louisiana than Texas. Here is a deer in the palmettos.



Here is a Needham's skimmer, photo taken at Port Aransas.



Sandwich terns at Port Aransas.



And here is the Texas great white shark, closing in on its prey, also at Port Aransas.


(click photos for larger view)